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The Weeknd first teased that he was working on a new album in November 2018, via a performance in which he told the crowd that " Chapter VI was coming soon".
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It debuted atop the Billboard 200, marking the Weeknd's fourth number-one album in the US, and stayed atop the chart for four consecutive weeks. The album received generally positive reviews, with some critics naming it the Weeknd's best work. In March 2020, After Hours broke the record for the most global pre-adds in Apple Music history, with over 1.02 million users. The title track was released as a promotional single. The artwork and aesthetic for its promotional material has been described as psychedelic and being inspired by various films, such as Casino (1995), Fear and Loathing in Las Vegas (1998), and Uncut Gems (2019), while its title is borrowed from the 1985 film directed by Martin Scorsese.Īfter Hours was supported by four singles: " Heartless", " Blinding Lights", " In Your Eyes", and " Save Your Tears", three of which reached number one on the Billboard Hot 100. Music journalists have noted the album as an artistic reinvention for the Weeknd, with the introduction of new wave and dream pop influences. Prior to the album's release, the Weeknd confirmed that After Hours would contrast stylistically with its predecessor, Starboy (2016). Thematically, After Hours explores promiscuity, overindulgence, and self-loathing. The standard edition of the album has no features, although the remixes edition contains guest appearances from Chromatics and Lil Uzi Vert. Primarily produced by the Weeknd, it features a variety of producers, including DaHeala, Illangelo, Max Martin, Metro Boomin, and OPN, most of whom the Weeknd had worked with previously. It’s true that the word is too precious and bland a descriptor for his drawings, which seem capable of electrocuting viewers who stare too long.After Hours is the fourth studio album by Canadian singer the Weeknd, released on March 20, 2020, by XO and Republic Records. “Incidentally I hate the word ‘illustration.’ Sounds like some kind of diagram,” Steadman writes in the book.
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(The Ninth Amendment: “The people’s will is paramount. Steadman comments on everything from how “bitches are invariably noisier than male dogs” to how “Creativity is both a joy and a disease” to his imagined redrafting of the U.S.
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Alongside the art in this monograph is not so much a narration as a series of stunningly typeset shrieks and rambles. Thompson, once said, “Don’t write, Ralph, you’ll bring shame on your family.” Steadman shot back, “I can write better than you can draw!” Hard to impress as Thompson was, Thompson soon admitted to feeling threatened, saying, “Okay, I’m sorry, it’s beautiful gibberish.” And it turns out Steadman’s words are about as twisted and darkly hilarious as his drawings. Most projects have seemed so natural to me.”Īpparently, Steadman’s longtime partner in crime, the late gonzo journalist Hunter S. “It was a natural collaboration between myself and the editor/publisher, Steve Crist. “It was so organic, a stream of consciousness!” Steadman says of the process of making this monolithic book.